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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
太细腻了。。集会的回头、彼此靠近的双手、急促的呼吸、电影院的拥抱、取名“卢卡”的孩子……“I can believe enough for both of us”...蕾丝边的世界什么时候能少一点苦😭
很多细致的地方看不真切，比如女主的姨母态度是复杂的，关于这个教，关于成长和爱的关系。个人感觉电影技巧真的很粗糙，而且不知为何我就是没办法产生cp感。弹钢琴那段想到烧女。
性张力好，戏剧张力不太行。违命前传笑死了。
前面日式笑点的部分还不错，竟然把握了一丢精髓，但后一个小时进入原创就完全失控，强行网感强行抖音强行阳刚强行齁太恶心了，千言万语光线不行。
3.5分，影片表现的两人之间的情感感受不到有多深刻，与其说是爱，crush更为贴切，只是被宗教信仰这些外界因素所阻碍后显得有些可惜，其实两人压根没有想好要怎么过。最基本的信念想法达不成一致，情情爱爱只是缥缈浮云。
当我意识到我们终将不能在一起时，抑制不住的崩溃和难过，心里明白每个人都只能陪你走一段，也明白物是人非事事休。
就是说 不要跟宗教信仰不同的人恋爱……女主完全长在了我的审美点上
可惜无法认清和接纳自己是永远难以真正幸福的，尤其再套上宗教枷锁。所以我最难过的其实在分别那处：“没有你，我无法独自一人活在天堂” “我根本不相信这些” “你不需要相信，我一个人的信仰足够支撑我们两个人了”。这可能是Marike能想到的最好的方法了，同时可能也是Jaime走出来却仍然放不下Marike的原因吧。这段话在我看来是真正表达了Marike的“我爱你”，但我仍然希望Jaime离开去追寻自我，这可能就是遗憾所在吧。
為什麼總要繞來繞去待到結婚生子了才出軌般的戀舊情呀⋯
放在暑期档，它好过今年所有青春片。但挪到国庆档，被大片夹击下就显得困境重重。全片看下来，笑声不断、泪点直击，5个少年的纯粹和自然，在当下国产片中属于惊喜之作，没有堕胎等狗血情节，拍出了国产青春励志片应有的样子，而它不该只有这点评分和票房。全国最重名的队长张伟，窝囊又软弱，出淤泥而染全身，基本功和绝活都离他很远。但当他在医院自责痛哭流涕说“我就想练花泳，太南了，我这个队长没当好”时，慈母心突然泛滥，心疼死。最后腾空而跃的后空翻，就像莲花出世的哪吒一样灿烂发光。平凡的少年，生活再不好不坏、不上不下，但孤独的路上一定有风，不是只有惊天动地才辉煌。看不到太多日本原版的影子，感触是另一部《跳出我天地》。“蝈蝈妈”可以笑一年。
今年看过的最佳姬片，目前看过的最佳青春姬片。比校园情圣更丰满，比很多青春姬片都真诚、自然，是青春片该有的样子。
看得快睡着，只记得住Jaime最后那两缕蓝发。
曖昧期的極致推拉和小心翼翼的反復試探讓人欲罷不能。
两位女主的性张力也是一绝🥵
？？？甚至都嗑不起来，配乐是音乐民工作品吗？
“那里和我们想象的一样吗？”“你应该在那的”老套的剧情，又是从暧昧到在一起到向世俗低头再后悔怀恋，节奏比较慢，暧昧期长。一个无神论者和一个信仰宗教的，难道会适合在一起吗，人家杰米是为了泡妞才忍受枯燥的宗教活动。玛丽克选择结婚的理由什么天堂什么信仰，在不信教的我看来就是疯言疯语，无法理解。体验完大部分人的结婚生子还是怀恋以前的日子，人也变得憔悴，而且结婚还是玛丽克自己决定的。最后两人又见面，我一点也不看好，就让杰米独自美丽去吧，别想让杰米原谅你还帮你养孩子！
最近看了好多涉及到宗教的电影，一直不理解，这都有人信？
我真的会觉得啥玩意，尤其是结局……无神论者看着太难入戏了
导演视听、表演、音乐审美都在线，难得能在中国院线看到一部各方面没雷点也不尬的青春片。但另一方面，人物和冲突的类型化又力道不够，过于平淡，除了结尾实在是有些燃点不足。
艹啊没想到《违命》前传这个形容这么贴切，结尾直接无缝衔接
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