Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
看我发现了什么——《新蝙蝠侠》被毙的版本！
但是后半个小时属实崩得厉害，感情戏更是鸡肋到爆
Jorge Daniel Espinosa。傑瑞德雷托。索尼日常，前漫威的漫威電影。責任感爆棚、不能忍受心上人被攻擊，『有毒的男子氣概』真的有毒。麥特史密斯蠻可愛的，球鞋，其實我蠻喜歡這兩個人的變臉特效，雷托的紫色視覺形象也蠻可愛。片尾畫面匪夷所思，『漫威毒害』。
不太明白索尼为什么又把毒液给拍了一遍。尽管多少还是比《毒液2》强点… #补标#
# 再一次证明频繁跳档的定影真的不要期待
暗夜博士：莫比亚斯 2022.7.20 医疗DNA这个早晚会实现。卡西欧。 真蝙蝠超人。地铁前边顺着风飞翔太帅了。细节很惊喜。
剧情枯燥，扮相丑陋。中间一度睡去。毫无亮点。
没有很差呀，为什么那么多打两星的，除了中间不知道为什么删了一段，剧情有点接不上，以及医生有点太幼稚，但是整个故事情节和画面都挺顺滑的，没有注意力疲惫想玩手机的时候，这已经很难得了。
说实话，没那么烂，就是剧情的铺垫有点少了，再多点男主男二的相爱相杀就好了。还有最后的彩蛋真的是智障，明明第一部预告片不是这样的剧情。
《毒液》大賣之後的偷懶之作，一樣正反派同源，一樣沒種拍R級，一樣惡意賣腐，區別只是前者爛而賣座，《莫比亞斯》爛而不賣座。故事幼稚出了喜劇效果，該著筆的部分都沒著筆，該解釋的部分不解釋，擺爛得那麼理直氣壯也是一種本事，理直氣壯地kidding me。最可氣的是，本該是看點的動作戲和驚悚戲，都稀碎，動作戲無聊透頂，甚至談不上有什麼動作設計，就是沒完沒了的殘影、重擊、慢鏡頭，驚悚戲少得可憐，而且還都是是最爛俗老套的橋段。
老套的故事，特效做的不错。结尾彩蛋想方设法给续集埋下种子。莱托很适合这种病态纠结的人物，比如joker比如Dr morbius.
在复联4后mcu全面拉跨的前提下，本片倒是意外的挺好看，没有fun的元素之下，惊悚的风格做的还不错，战斗和特效都出乎意料的有意思，但是剧情还是很弱，又一个套着老版蜘蛛侠和绿魔爱恨情仇的故事，节奏虽然不够快，但是人物转变啥的倒是很迅速，最后秃鹫登场反而是一大亮点。
索尼这水准就别搞邪恶六人组了吧，比比谁更尬?
毫无诚意的摆烂粪作，索尼已经彻底放弃治疗，照着毒液的模版又拍了一部真·蝙蝠侠，现在的超英电影已经偷懒到完全复制粘贴的程度了，压根不愿花费精力去构思剧本，兄弟反目成仇的滥俗故事还要给观众看多少遍？人物动机转变莫名其妙，结尾决战草率了事，另有数不清的槽点一箩筐，大概也只有特效勉强能看。看得出索尼想要打造自家蜘蛛侠宇宙之心不死，所以才引入这种三四线漫画角色去组建新的险恶六人组，说白了本片和《毒液2》一样都是纯卖彩蛋的超长Trailer，关键这彩蛋为了蹭漫威热度瞎改设定，逻辑完全乱套，可能连导演自己都解释不清吧。从《自杀小队》到《莫比亚斯》的接连口碑灾难，可怜的莱托在两边都混得挺惨。
行吧，漫威作为一个品牌，已经发展出自己的超能力了。超级催眠。
其实剧情还挺流畅的，简洁有节奏，暗黑风特效很棒，还有点恐怖。除了主角好友忽然黑化成了反派有点太过爆米花电影了。
世间又多了一部看完即忘的吸血鬼电影，要不是强迫症作祟我大概也不会看吧。。。
标准的好莱坞流水线大片，全程甚至大战都很平淡。
虽然老套，但技法（颜值）纯熟，瞻前顾后这款片也留下了人物的一笔。可自索尼迪士尼拉扯的宇宙串联后也真是乱，索尼好好拍啊，各拍各的就往暗黑去也行，毕竟观众对另个宇宙里的那套也很疲劳。就是，别再有《毒液2》这样的东西了…
彩蛋硬往MCU里蹭，双方逻辑互不自洽，属实屑中之屑。
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