Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.
男主是《巴斯特斯格鲁格斯的歌谣》里骑白马弹琴传唱故事的神枪手
牛逼
7分多，厚重音乐加上背景底蕴，幸好有这么个故事支撑，有几处现代西部元素看的挺过瘾。
西部片的复兴，演员们全片演技在线，剧情步调正常，尼尔森耍枪俐落帅，反派多尔夫也坏得到位
故事情节简单，不用太费脑，老爷告诉你老爷毕竟是老爷
亨利的话把整部电影升华了一个层次
西部风格，悠远辽阔。大爷虽离江湖已远，但大爷还是那个大爷。
幻想孩子是亚瑟。
表演有力 剧本离谱 在老亨利身上能看到所有西部片主角的元素 反派也是老戏骨 但是就像一锅无聊的大杂烩 故事情节上还是太弱了
其他都不错，就是小孩太干净了！根本不像一个没了妈的农场孩子……更像流量小生乱入。枪战场面安排略微随意了一些……
优秀的西部片太少了！节奏虽缓慢，导演见功底。情节虽简单，反转够给力。演技过硬，剧本扎实！
像 小人物似的 英雄隐于市井,农场.故事讲的还可以,节奏也挺好的, 平平淡淡,又能吸引人看下去, 一直在猜警察是不是真警察??虽然反转都能猜出来.
平行宇宙里John Marston一家的故事 当我操起兰卡斯特 九男三狗也就是半分钟的事情
光是比利小子这个梗就值四分，加一分给男主演技
一般般，剧情其实挺老套，唯一的反转还行吧，老比利成就小比利...
故事很简单，结尾还来了一次反转，挺有意思的。老年比利小子重出江湖，老当益壮啊。
后现代西部片，细腻、苍凉。比利小子依然神一般存在。
儿子真的烦人啊~像个爱闹情绪的小媳妇，大敌当前了还要跟爸爸置气。最后的反转有点一般般，被救的那个角色完全是个白痴弱鸡，完全不值得老亨利为他出手嘛
老派西部风格就是话从不表达完整但枪法一定要准
荒野伤者携巨款，父子救人招祸端。
Copyright © 2015-2023 All Rights Reserved
